Much like Silas’ delicate butterflies, suspended in presentation, each character tries to hold onto this attachment to beauty, but all find that it starts to decay as the story becomes more intertwined and the stakes increase. Silas takes the most drastic action to try to suspend and enjoy that beauty - and that’s what really ramps up the pace of the novel at the end.
‘Zone One’ is a zombie novel with braaaaAAAaaaaaains. By that I mean it takes the well-celebrated, detail-oriented style of Whitehead and attaches it to typically what is quite an action-packed genre. While it makes for a pretty interesting literary performance dressed in the zombie genre, the focus on the slow reality of a world (new advertisements and cleanup crews) after an outbreak meant there was little fast-paced action - leaving a bit of a sour taste in my mouth. I'll stop.
As far as coming-of-age stories go, ‘Your fault’ is a great literary contributor to the genre. But as far as my enjoyment of the plot or the characters goes - I felt like it could have done with some extra ‘story’.
The Memory Police is one of those rare masterpieces - tackling a massive concept and philosophising on multiple important issues while not sacrificing the humanity of its characters. And on top of that, written in such a Kafka-like dream state that it leaves you, as the reader, feel totally untethered to the ground. It really unnerved me.