From the first to the last, Adjei-Brenyah’s ‘Friday Black’ collection of short stories holds rank among some of the most visually-thrilling, inflammatory and enriching ones I’ve ever read. It’s a provoking and daring look at the lives and experiences of black men and women today and every day before, wrapped up in deliciously clever language.
I’m little. Only two years or so. I must be less than three years old, because she’s still alive. I’m outside, somewhere. I’m surrounded by people - large, looming faces that I don’t recognise. I tip my head over the arms that hold me to look around. There’s a beautiful one, two old ones, a big one, a really big one, a furry one, and there’s her.
I had SUCH high hopes for this novel. The premise sounded great. The world has ended in nuclear war? YES PLEASE. Survivors are holed up in a hotel, and a body turns up? HELLA POIROT, GIMME. The race is on to find the killer? I’M THERE. The cover and the blurb activated that little part of my brain which said ‘ooooh’ and I’d plonked it in my basket during the final four seconds of waiting in line at Waterstones. A choice I regretted almost immediately after reading the first few chapters.
When he died, a big part of Peter thought the rest of the world would too. He’d thought about how it might happen, many times. Not the way he’d die - that seemed fairly obvious to him - but how the world would cease after he was no longer there to watch it. Would the earth disappear with a bubble-wrap ‘pop’ at the moment his main artery finally clogged? Would the colors in the world start to drain as his vision swam? Would the roads, forests and oceans, some that he’d travelled across and some that he’d only read about, start to fold up on themselves like giant monoliths in the sky as his own heart constricted and failed in his chest? Most importantly, would anyone know why it was happening?