This might actually be my favorite short story collection of all time. Daphne Du Maurier is a fucking revelation and I'm appalled at myself for not reading this uncanny, intelligent and altogether bizarre collection earlier.
So, David Sedaris. Realised where I'd heard his name before - like millions others, I’ve clicked past his Masterclass ad a million times (still saving up for an annual pass - if anyone’s got a spare one, slide into my DM’s) and heard the distinctive, “If you’re writing about people, you have to be interested in people…”
“Yo. Hear the bell?” I say over my shoulder to Thorndike, who's lying spread-eagled on his bed, face down. The only parts of him moving are the bright yellow soles of his trainers, bobbing up and down erratically like headlights. He’d cleaned them last night before bed, as he always did. Scrubbing and picking and brushing any specks he’d picked up from the linoleum. Like he was determined not to carry any of his day into the next.
"Can I tell you a story?"
"Yes, one about me," I say. "It's one I've never told anyone....."
“The DNA sample that you have provided does not match any of our records. Please return another sample to us.” He paused and read it again. Without saying anything, he flipped it over and skimmed the other side. It listed the countries: 0%, 0%, 0%. Another small line at the bottom: “Your DNA sample has not returned any matches.”
From the first to the last, Adjei-Brenyah’s ‘Friday Black’ collection of short stories holds rank among some of the most visually-thrilling, inflammatory and enriching ones I’ve ever read. It’s a provoking and daring look at the lives and experiences of black men and women today and every day before, wrapped up in deliciously clever language.