In this novel, Awad tries to find a new way of exploring this kind of female experience, pulling it from reality and turning it into something truly unique and fantastical. This is Mean Girls if Tina Fey had been on acid while she wrote it, mixed with a Stepford-Wife-colored version of The Craft. It includes a spritz of animal sacrifice, a dash of spontaneous body explosions and a pepper of reanimation.
‘Little eyes’ is an exploration of the relationship between people and technology - a commentary on privacy, intimacy and loneliness. It leaves you unnerved with its striking familiarity. Now with the reality of tech having reached and surpassed the possibilities explored by old-school science fiction, this novel feels profound. Like science-fiction meets psychology; like Philip K. Dick but more insidious, and far more fluffy.
Chuck Palahniuk has a saying: “Be clever on someone else’s dime. Being clever will never make your reader cry, laugh and probably won’t break their heart.” And this was what I was thinking throughout this novella - really, there was just no heart.
Jim Sams is our protagonist, a prime minister-cum-cockroach who has lived the world as a hated-being, a tiny spot on the pavement of Britain and has now woken up wearing the skin suit of the most powerful man in the country. The premise is ridiculous, but then again, so is the politics and it mirrors this quite perfectly.
Ghost Wall is a highly acclaimed, multiple prize-winning novel that’s been described as a ‘short, sharp shock that closes around you like a vice as you read it’. It’s a story about a modern family reliving the Iron Age; about family, about abusive situations, about friendship. But for me, it fell far short of the dazzling, ‘burnished gem’ of a book that I’d been promised.