The theme for ‘The Institute’ seems to be that great events turn on small axes. For decades, children showing TP (telepathic) or TK (telekinetic) abilities have been stolen from their homes and transported to the Institute Facility, and subjected to tests and experiments to increase their powers. To escape, they must learn to work together to overturn the evil that captured them.
As is typical in proper Gothic fiction, the environment in which the story is set is as important as the story itself. The plot itself is rather simple - our young protagonist, Catalina, goes to stay with her cousin who has sent a number of worrying letters, claiming her husband, Virgil Doyle, is trying to kill her. Catalina travels to ‘High House’, their mansion in the mountains, and finds the Doyle family to be uptight, weird and at times, disturbing.
As a society, we’ve been sharing our lives with the undead now for almost four years and the number of people with major anxiety has reached an incredible height. The chemical-ceiling has been pushed to the point where there’s call for more antidepressants and anti-anxiety meds than any of the pharmaceutical companies are able to make.