Much like Silas’ delicate butterflies, suspended in presentation, each character tries to hold onto this attachment to beauty, but all find that it starts to decay as the story becomes more intertwined and the stakes increase. Silas takes the most drastic action to try to suspend and enjoy that beauty - and that’s what really ramps up the pace of the novel at the end.
‘Zone One’ is a zombie novel with braaaaAAAaaaaaains. By that I mean it takes the well-celebrated, detail-oriented style of Whitehead and attaches it to typically what is quite an action-packed genre. While it makes for a pretty interesting literary performance dressed in the zombie genre, the focus on the slow reality of a world (new advertisements and cleanup crews) after an outbreak meant there was little fast-paced action - leaving a bit of a sour taste in my mouth. I'll stop.
As far as coming-of-age stories go, ‘Your fault’ is a great literary contributor to the genre. But as far as my enjoyment of the plot or the characters goes - I felt like it could have done with some extra ‘story’.
‘Now is the hour’ is set in 1967, and opens on a highway with Rigby Klusener, seventeen years old, with a suitcase and a flower behind his ear, trying to hitch a ride to San Francisco. We know he’s left behind a pregnant friend, his best four-legged friend and that he has a broken heart. We realise that this is almost the end of the story, and there’s much to learn about why Rigby is there, and how he got to this point.
At just 14 years old, Turtle has already experienced trauma beyond most of us. Martin, her father, is a survivalist misogynist who loves her crookedly and dangerously. This novel is a dedication to seeing the world accurately, without veneer. The level of meticulous and beautiful detail Tallent weaves into his plot means that we miss little. We see it all.
The closest description I can give to the feeling that this novel gave me was the joyful uncertainty of IBS (and I'm sure that Reid will be psyched to know that I've made that comparison). But hear me out. You know something's wrong. You don't know what's causing it, you don't know how it's going to manifest itself - only that it will, and soon. You ain't gonna have any control, and you can't stop it. You feel a bit sick. This novel feels like a slow descent into that same feeling as it begins to spin uncontrollably away from you.
"Can I tell you a story?"
"Yes, one about me," I say. "It's one I've never told anyone....."
'Elevation' is a curious thing. It contains, as so many of King’s greatest pieces of writing do, an extraordinary thing happening within an ordinary world. Scott Carey has realised that he has a strange and untreatable condition - that he is dropping pounds off his weight, without getting thinner.
I absolutely loved the style and wittiness of this book and its myriad of conversations regarding human nature, and a lot of dialogue I found excellent and fun. There are definitely issues regarding the portrayal of women, and LGBTQ+ issues, but I have scoured pre-existing reviews of this book and it appears that no-one else has felt quite as strongly as I have about it.
Through the knees of his suit trousers, woollen and scratchy, the child could feel the wet soil seeping. He had found a snail to watch.