I’m little. Only two years or so. I must be less than three years old, because she’s still alive. I’m outside, somewhere. I’m surrounded by people - large, looming faces that I don’t recognise. I tip my head over the arms that hold me to look around. There’s a beautiful one, two old ones, a big one, a really big one, a furry one, and there’s her.
The story centres around two young people, Connell and Marianne - both relatably strange in their own unique way - and follows them as they grow up, at times intertwined, and at times apart.
This book is a beautifully crafted, bright and deep novel which addresses some really heavy subjects: toxic masculinity, fear, abuse, protection and growing up. And yet, it manages to deliver its lessons on the sly, distracting the reader with perilous plot and beautiful imagery until you hit the sucker-punch ending.
The Whitby Witches is a book about courage, history and magic. Two orphans are suddenly re-routed to Whitby to stay with Miss Boston - a spritely 90-something year old who walks up the famous 199 steps every day to keep her mind and body active. She needs this sharpness in spades as her friends start to die mysteriously, and the town that she knows and loves starts to crumble under a dark force.
Ghost Wall is a highly acclaimed, multiple prize-winning novel that’s been described as a ‘short, sharp shock that closes around you like a vice as you read it’. It’s a story about a modern family reliving the Iron Age; about family, about abusive situations, about friendship. But for me, it fell far short of the dazzling, ‘burnished gem’ of a book that I’d been promised.