'Elevation' is a curious thing. It contains, as so many of King’s greatest pieces of writing do, an extraordinary thing happening within an ordinary world. Scott Carey has realised that he has a strange and untreatable condition - that he is dropping pounds off his weight, without getting thinner.
I absolutely loved the style and wittiness of this book and its myriad of conversations regarding human nature, and a lot of dialogue I found excellent and fun. There are definitely issues regarding the portrayal of women, and LGBTQ+ issues, but I have scoured pre-existing reviews of this book and it appears that no-one else has felt quite as strongly as I have about it.
Jim Sams is our protagonist, a prime minister-cum-cockroach who has lived the world as a hated-being, a tiny spot on the pavement of Britain and has now woken up wearing the skin suit of the most powerful man in the country. The premise is ridiculous, but then again, so is the politics and it mirrors this quite perfectly.
On the first page, we learn that ‘Tequila Leila’ (as she’s known to her friends) is not at home, cuddled up in bed and warm, but instead she lies dead in a metal rubbish bin on the outskirts of Istanbul - a city which lives and breathes its own personality as loudly as the characters that live within it. We feel immediate devastation that this woman, a person who Elif describes with intimate detail, has met her end here. As Leila herself says: “She could not believe that her mortal existence was over and done with [...] Last night she had left her fingerprints on a whisky glass …”
My favorite poets are the ones that deal with the raw shit - the bits that make your stomach squelch and ring in your head because you know that at some time, some where, you felt this poem before you read it.
'The new me' is undoubtedly one of the most depressing novels I’ve ever read - but in a way that is refreshingly realistic. Films and books do have a habit of making the depressive romantic, exciting, or thrilling. This novel gives us none of that - instead Butler takes on an intimidating task by weaving together a book that explores tedious monotony, a self-defeatist attitude and a steady decline into depression, all while keeping the readers’ attention. If it manages to catch you, it cuts much deeper than most other texts.
From the first to the last, Adjei-Brenyah’s ‘Friday Black’ collection of short stories holds rank among some of the most visually-thrilling, inflammatory and enriching ones I’ve ever read. It’s a provoking and daring look at the lives and experiences of black men and women today and every day before, wrapped up in deliciously clever language.
I had SUCH high hopes for this novel. The premise sounded great. The world has ended in nuclear war? YES PLEASE. Survivors are holed up in a hotel, and a body turns up? HELLA POIROT, GIMME. The race is on to find the killer? I’M THERE. The cover and the blurb activated that little part of my brain which said ‘ooooh’ and I’d plonked it in my basket during the final four seconds of waiting in line at Waterstones. A choice I regretted almost immediately after reading the first few chapters.
The story centres around two young people, Connell and Marianne - both relatably strange in their own unique way - and follows them as they grow up, at times intertwined, and at times apart.
This book is a beautifully crafted, bright and deep novel which addresses some really heavy subjects: toxic masculinity, fear, abuse, protection and growing up. And yet, it manages to deliver its lessons on the sly, distracting the reader with perilous plot and beautiful imagery until you hit the sucker-punch ending.