The closest description I can give to the feeling that this novel gave me was the joyful uncertainty of IBS (and I'm sure that Reid will be psyched to know that I've made that comparison). But hear me out. You know something's wrong. You don't know what's causing it, you don't know how it's going to manifest itself - only that it will, and soon. You ain't gonna have any control, and you can't stop it. You feel a bit sick. This novel feels like a slow descent into that same feeling as it begins to spin uncontrollably away from you.
I absolutely loved the style and wittiness of this book and its myriad of conversations regarding human nature, and a lot of dialogue I found excellent and fun. There are definitely issues regarding the portrayal of women, and LGBTQ+ issues, but I have scoured pre-existing reviews of this book and it appears that no-one else has felt quite as strongly as I have about it.
“The DNA sample that you have provided does not match any of our records. Please return another sample to us.” He paused and read it again. Without saying anything, he flipped it over and skimmed the other side. It listed the countries: 0%, 0%, 0%. Another small line at the bottom: “Your DNA sample has not returned any matches.”
Last weekend, I spent 5 hours trudging through a barren wasteland with a father “the man” and his son “the boy”, watching them starve, make mistakes, fight and protect each other - and the experience damn near killed me. Making us ask the question: What is more important to us - our lives, or our humanity?
Through the knees of his suit trousers, woollen and scratchy, the child could feel the wet soil seeping. He had found a snail to watch.
Jim Sams is our protagonist, a prime minister-cum-cockroach who has lived the world as a hated-being, a tiny spot on the pavement of Britain and has now woken up wearing the skin suit of the most powerful man in the country. The premise is ridiculous, but then again, so is the politics and it mirrors this quite perfectly.
On the first page, we learn that ‘Tequila Leila’ (as she’s known to her friends) is not at home, cuddled up in bed and warm, but instead she lies dead in a metal rubbish bin on the outskirts of Istanbul - a city which lives and breathes its own personality as loudly as the characters that live within it. We feel immediate devastation that this woman, a person who Elif describes with intimate detail, has met her end here. As Leila herself says: “She could not believe that her mortal existence was over and done with [...] Last night she had left her fingerprints on a whisky glass …”
He kissed me with the kind of urgency you only really see in the movies. It was only now that I started to detect the slightest flavour of something charred and earthy in his tongue. He was definitely a smoker.
My favorite poets are the ones that deal with the raw shit - the bits that make your stomach squelch and ring in your head because you know that at some time, some where, you felt this poem before you read it.
As a society, we’ve been sharing our lives with the undead now for almost four years and the number of people with major anxiety has reached an incredible height. The chemical-ceiling has been pushed to the point where there’s call for more antidepressants and anti-anxiety meds than any of the pharmaceutical companies are able to make.